Astrid Krogh
Textile designer
Curriculum Vitaé
Contact

 

Industrial Design
/Coloplast
Public Commissions
/The Royal Danish Library
//Danish State Railways
///Maersk Data
////The Danish Parliament

/////Næstved Kulturhus
//////Bergen
///////Frederiksberg
////////Birkerød
/////////NRGI, Århus
//////////Kolding Kommune
///////////Birkerød Aktivitetscenter


 

Private Commissions
/Brocade
Competitions
/GN Store Nord
//Tangen Vidergående Skole, Kristianssand

 

Exhibitions
/The Danish Museum of Decorative Art
//Trapholt Museum
///Paustian
////Malmø Kunstmuseum
/////Ideal House, Cologne 2006
//////Danish Design Centre, 2006

         

 















Public Commissions

DSB (Danish State Railways)
Sølvgade, Copenhagen, 2001
In collaboration with Puk Lippmann

Furnishing and decoration of meeting room
Carpet, wool
7 x 12 metres

Three steel tapestries with adjustable light behind
them (fluorescent tubes)

Ca. 2,5 x 2,5 metres

Wall surfaces with coloured acoustic plaster.
(4 different colours)Reception

Wall decoration: 2.5 x 10 metres

Glass, optical fibre. The light is computer-
controlled and changes daily.

Floor: Pattern of wooden strips moulded in
acoustic plastic material.

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The DSB (Danish Rail) headquarters in Copenhagen
is housed in a building from the eighteenth century,
just across from the Royal
park Kongens Have.

The refurnishing of the 50 m2 meeting room takes
its point of departure in the centrally placed ceiling
painting from the 1940s, but otherwise totally transforms the space.

The floor is covered with a specially produced carpet
(one-off work) in light blue and beige, whose only recognizable pattern unit mimes the carved panelling
under the windows of the room.

The walls are acoustically regulated and coloured
with pastels with a slightly ‘shot’ effect, and instead
of the portraits that formerly made up the wall decoration
of the room, tapestries of woven steel filters are now
hung, producing interference patterns both in daylight
and when the light behind them is on.

The result is a space that is constantly transformed
by the changing of the light – echoing the rhythms
of the days and the seasons, or determined by the
setting chosen for the electric light, which is adjustable
both in the ceiling and behind the steel tapestries.

In the reception room of the headquarters all the
elements are new: flooring, furniture, lighting and
the large glass wall throughout the length of the room,
where the light in the optical fibres changes colour
in the course of the day.