Astrid Krogh
Textile designer
Curriculum Vitaé
Contact

 

Industrial Design
/Coloplast
Public Commissions
/The Royal Danish Library
//Danish State Railways
///Maersk Data
////The Danish Parliament

/////Næstved Kulturhus
//////Bergen
///////Frederiksberg
////////Birkerød
/////////NRGI, Århus
//////////Kolding Kommune
///////////Birkerød Aktivitetscenter


 

Private Commissions
/Brocade
Competitions
/GN Store Nord
//Tangen Vidergående Skole, Kristianssand

 

Exhibitions
/The Danish Museum of Decorative Art
//Trapholt Museum
///Paustian
////Malmø Kunstmuseum
/////Ideal House, Cologne 2006
//////Danish Design Centre, 2006

         

 















Exhibitions

Ideal House Astrid Krogh
Cologne 2006
'Outside on the inside '


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There is a world and there is a house. There is light
and there is darkness. Minutes, hours, - morning, midday, evening, night - we live in infinite open spaces constantly challenged to find mediation tools between the outside
and the inside.

Ornaments are such tools - some call them decoration
- primarily defined by their ability to bring the lines
and the sterilized reproduction from 'outside' in a pattern inside the house. But also defined by their functional purpose and shaped by their condition of life.

'My ideal house does not put walls around anything.
It does not partition off in an exclusive way, but first
and foremost defines spaces and rooms.

Rooms that react flexibly to the surroundings, which
can vary their degree of transparency and adapt their
structure. Windows, which normally act as a channel
between the inner space and the outside world, create
the whole structure of the room: a single window
serves to define the room, and its glass-fibre curtains
determine the change from openness to enclosure.

Filtered by the systematic, yet unpredictable patterns
of the tiles the light creates a dynamic play of shadows
and in this way it becomes the very element which
links the internal and external space.'My ideal house’
consist of windows of modern ornaments.

As in nature my ornaments are conditioned by the
material I work with – light, pixels and high performance
textile. These materials project unpredictable and
sometime chaotic patterns that meet the viewer
with surprise.

My work at ‘Ideal House’ is an essay to create dynamic
living walls and wall papers that constantly are under
change in an interaction between the outside world
and the inside house.

///////////////////////////////////////////////

Giant sun blind on
show in Cologne



What is probably the world's biggest sun blind –
4 m high x 60 m long – will be on show at the Cologne
International Furniture Fair. The sun blind, which
consists of hanging vertical slats 25 cm wide, is made
of glassfibre reinforced plastic, GRP. It is the product
of a unique development partnership between Fiberline
Composites, a Danish manufacturer of hightech
composites, and textile designer Astrid Krogh.

Astrid Krogh was invited by the Cologne Fair to submit
ideas for the design project 'Ideal House 2006' together
with three other top international design names: Dieter
Rams, Joris Laarman and Stefan Diez. The giant sun
blind is ornamented with patterns actually printed in
the composite, and it is used by Astrid Krogh as the
framework for her 'house of the future'.

'Unlike most other types of architectural divisions
used to separate 'inside' and 'outside' in buildings,
using composite makes it possible to change the scene
and at the same time continuously create new patterns',
says Astrid Krogh. 'The building can be 'opened'
and 'closed' simply by turning the slats. The pattern
on the slats will simultaneously be highlighted in
a variety of ways, depending on how the light strikes
them. The effect in the evening is also beautiful,'
continues Astrid Krogh.

Astrid Krogh has experimented with new materials
for a number of years in her design solutions for both
sun protection and decoration. While working on the
sun blind for the Cologne fair, it became a particular
challenge to reinterpret the classic curtain through
use of composite as the 'functional ornamentation'.
She has used well-known textile techniques, but her
collaboration with the manufacturer Fiberline has
resulted in entirely new modes of expressions for
products made of composite.

Finn Jernø, Head of Communications at Fiberline
Composites, sees great potential in the new sun blind.
'With this new technique it is possible to integrate printed
textile actually into the slats. This enables builder and
architect to ornament their buildings with art if they want
to achieve a different effect from that provided by glass,'
says Finn Jernø, who is finding considerable interest
in the use of Fiberline's products for various types
of sun protection. 'Many buildings incorporate large
expanses of glass, and the strength of composite
makes it suitable for making slats in long lengths,'
adds Finn Jernø.

He stresses that the blind displayed at the Cologne
fair is still a prototype, but he expects composite
sun blinds to find their first professional application
in a new sports and amenity centre at Birkerød,
Copenhagen, where the exteriors will also be of composite.
The centre has been designed by architects Schmidt,
Hammer & Lassen, and the exterior will be developed
and executed by AS Henning Frøkjær.